In the melodic minor scale when ascending, which degrees are raised from the natural minor form?

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Multiple Choice

In the melodic minor scale when ascending, which degrees are raised from the natural minor form?

Explanation:
When ascending, the melodic minor form raises three specific degrees of the natural minor. The third becomes a major third, and the sixth and seventh degrees are raised from flat to natural. So you get a scale that moves from 1 up to 8 as 1-2-b3-4-5-6-7-8 (instead of 1-2-b3-4-5-b6-b7-8). This creates a brighter, smoother ascent and strengthens the leading tone feel toward the tonic. In other words, the degrees raised are the 3rd, the 6th, and the 7th.

When ascending, the melodic minor form raises three specific degrees of the natural minor. The third becomes a major third, and the sixth and seventh degrees are raised from flat to natural. So you get a scale that moves from 1 up to 8 as 1-2-b3-4-5-6-7-8 (instead of 1-2-b3-4-5-b6-b7-8). This creates a brighter, smoother ascent and strengthens the leading tone feel toward the tonic. In other words, the degrees raised are the 3rd, the 6th, and the 7th.

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